Sunday, September 8, 2024

The Amazing Johnathan's Weird Stuff



Here we feature an unusual artifact from one of magic's most unusual exponents.  The picture is far from ideal, as this glossy, textured, striking high-contrast design proves hard to capture using photographic equipment.  And, in that way, it proves a fitting tribute to its subject, "The Amazing Jonathan."  

If you own one of these cards (a standard sized poker card with regular faces), it may be because you're the lucky owner of "The Amazing Johnathan's Weird Stuff" Magic Kit, itself a rare and wondrous collectible that contained a full pack of these iconic cards.  











Or, if you're like me, you might have bought a pack from the Amazing Johnathan, who found a handful of these decks in his garage, which he sold and gave away at a magic convention in 2018.  And if that's the route you took to get one, there's probably a great story that goes along with it.  Mine comes with such a story.



John Edward Szeles (September 9, 1958 – February 22, 2022), was born in Detroit, Michigan.  He became universally known by his stage name "The Amazing Johnathan," was a famed stand-up comedian, accomplished magician and all-around prankster. 

He became a regular in nightclubs, on Comedy Central, had his own game show and performed for President Reagan.



We need not spend too much time on biographical information,  though, as Jonathan's life was the subject of not one, but two documentary films which, like everything else about him, are extraordinary and unusual.  And while other magicians (such as Houdini) have been the subject of more than one attempt to convey their lives in biographical format, the difference with Johnathan is that he was actively involved in two competing attempts to record his achievements and antics.  




The Amazing Johnathan Documentary (2019) 
was a production from Hulu which eventually would be billed by its producers as "an unexpected and increasingly bizarre journey as [the] filmmaker struggles to separate truth from illusion."  That little snippet of marketing text offers the tiniest insight into the truly bizarre nature of this film, which must be seen to be fully appreciated.



Amazing: the Life Death and Return of the Amazing Jonathan 
was a somewhat more conventional biography released in Canada in 2018, the filming of which became an important narrative element in The Amazing Johnathan Documentary.


As a result, to say anything new about the Amazing Johnathan proves difficult.


Thus, I'm going to make this a largely personal narrative, as I had an ever-so-brief yet equally memorable set of experiences with him in 2018.  That happened at the International Brotherhood of Magicians National Convention in Michigan, one of the rare magic convention appearances by the Amazing Johnathan.   In a fascinating lecture, he showed some of his subtle, unique insights into magic, demonstrating and teaching effects that were uniquely his.  He also proved to be a fun and approachable participant, much appreciated by attendees.  


As a lecturer at that gathering, I found myself on a souvenir poster with the Amazing Johnthan and some other fine performers (like Jeff McBride, Larry Wilson, Steve Valentine, Pop Haden, Larry Hass and Lance Burton).   At one point, I found myself seated next to him on a signature line: attendees could bring their posters to the tables to have them autographed by all of the performers.  Having arrived late, I was seated on the end next to Johnathan, whom I had not had the pleasure of meeting.  He treated me and the participants to a barrage of pranks and stunts, beginning with annotating information on the hotel tablecloth with a sharpie (which turned out NOT to be a trick), having water pour from his nose, piercing his ears with his thumbs and the like.  He was a whirlwind of energy.  

We also had an encounter with an international delegation visiting the event, an experience that I will not soon forget.  The details contain too many subtleties to relate here. However, should we meet, please ask me, and over a cup of tea I will share the story with you.  It was one of the funniest things that I've ever experienced.




September 8 was his birthday.



.  

Monday, September 2, 2024

Speaking of Inventors: The Inventive Magician's Handbook...With Props is Here!

Earlier this year, we featured our Cavalcade of Inventors, spotlighting the many magic inventors who have been showcased on this site.  As a follow-up to that, I'm delighted to announce that The Inventive Magician's Handbook . . . with Props will soon be released by Theory & Art of Magic Press! This project is the culmination of years of collaborative work with the amazing Larry Hass and a team of talented artists to bring a vision to life. That vision, broadly speaking, is this: a how-to guide to magic innovation for magicians who wish to bring their own creative approach to devising new effects and presentations. The Inventive Magician's Handbook offers theories embodied in 14 original magic effects, most with complete scripts. The book includes a curated kit containing never-before-available props for many of these effects, as well as access to downloadable props and videos. I spent a weekend examining the final version of the book and materials, and, well, I was overwhelmed with the fine product that Larry and his team have produced.
The Inventive Magician's Handbook offers theories embodied in 14 original magic effects, most with complete scripts. For those of you interested in magic history and collecting, please note: the book extensively examines magic inventing in a historical context and includes a curated kit containing never-before-available props for many of these effects, as well as access to downloadable props and videos. I spent the weekend examining the final version of the book and materials, and, well, I was overwhelmed with the fine product that Larry and his team have produced.


The book is available only from Theory and Art of Magic as of October 1, 2024, which you can visit here (and check out my other book from TAOM, Wandcraft:


Oh, and are there cards?  Not at the moment . . . but stand by!


Monday, July 29, 2024

Harrison's Back!!!

 



It's hard to believe that it's been seven years since my first post about Harrison Greenbaum on these pages - "Harrison Greenbaum's Stuck on You", but it's time for another ode to one of magic's most energetic performers.  One reason is this souvenir from his new, one-man extravaganza "What Just Happened?" In it, Harrison's back in extraordinary form with a full 90-minute show loaded with magic and no-holds-barred comedy. The title of this post - Harrison's Back!!! - has a kind of double meaning. First, of course, he's returned to his native New York with this show (after a run in Las Vegas as the first comedian or comedy magician to ever headline a Cirque Du Soleil). In the interim, he's also back in the magic world with a new book, You Are All Terrible - a must have for any magician, aspiring comedian or collector.

You Are All Terrible - magic


As to the giveaway, it's pictured above and is part of a gift to every attendee at "What Just Happened?"  To say any more (or fill you in about what else may or may not be involved with it) would ruin some of the surprises Harrison's show has in store for you, so you'll have to buy a ticket and check it out yourself.  (You can get more information about his show here: https://WhatJustHappenedShow.com.)  Note however that the card packs in the social media references, which you can check out for yourself.

Lastly, for the collectors out there, Harrison has something special for you. At his show (and perhaps elsewhere) he has made available an absolutely wonderful, full-color, 18x24" magic poster of the following image:




Mine will be framed and hanging soon.  Try to get one of these while you can!  

Sunday, April 14, 2024

Cavalcade of Magic Inventors!


Carl Bremer's 1930 Card Box Patent 
At Propelled Pasteboards, we take pride in recognizing a broad array of magical figures, from fifty-milers to the biggest superstars.  Recently, however, in connection with some other research I've been conducting, I had occasion to note just how many posts have been devoted to magical inventors: the unsung heroes who often labor in obscurity to keep the art fresh and innovative.  So, I thought it fitting that we present Propelled Pasteboard's. . . 

Cavalcade of Magic Inventors  







 Our inaugural post focused on magic inventor E.J. Moore, seen here touting his "Water-Go."  Moore created several rope tricks that sold more than 25,000 units.  

 

 







The king of creating gaffed decks, R.W. Hull's inventions included his incomparable "Tuned Deck," featured across fourteen pages of Greater Magic.  

 





Read about Billy Russell's long career of creating original magic.  You'll learn about his vanishing manuscript, a masterwork years in the making for a planned book that never saw print -- and where you can find it.  

 

 

 



Joseph Ovette, famed for invention and re-invention of magic effects produced many low-quality  booklets which nevertheless held innovative gold.  

 



Any compendium of magic inventors is incomplete without the scrappy Horace Goldin, who, most notably, inventing several versions of the classic sawing illusion.  

 


 

 John H. Isley could have invented the one of the most popular pocket tricks of all time - Anti-Gravico.  Unless, of course, he didn't . . .







The Roucleres invented and performed a number of major stage illusions.  

         

 


 

 Earl Lockman developed and marketed several major stage illusions, as well as smaller items for performers.  

 



While you may never have heard of Bill Wagner (I certainly hadn't), you'll be amazed to learn that he invented several award-winning effects, including a spirit painting illusion and a mind-blowing prediction produced by Thayer Magic.  

 

 

 



Got an Okito Box knocking around your magic drawer?  Time to meet Theo Bamberg, the man who devised that gizmo from an ordinary pillbox.  

 



The back-hand palm has been deployed with great effect in some of the best magic acts in history, including those of T. Nelson Down and Jeff McBride (both featured on the site).  Who invented that move?  Well, it just may have been Otto Maurer, Jr., who picked it up from a Mexican gambler.  

 


 

 




That Ralph E. Powell invented the "Stung, Stung Again" card trick may well be the least interesting thing about him.  This post, a personal favorite, offers a jaw-dropping story that you simply won't believe.  







 

Monday, March 25, 2024

Eugen El Cester



These two identically-faced mini playing cards, with back designs rendered in red and blue, are artifacts of the career of Swedish illusionist Eugen El Cester, (b. Gerhard Lindgren 1913-1980).   Unsurprisingly, these cards were part of the collection provided by the Swedish Magic Archives which also maintains the handsomeposter of El Cester seen here. 


El Cester picked up the wand at age 11, growing most popular in the post-war years.  He performed in variety theater, competed in many competitions and offered an array of magic miracles, most notably swallowing razor blades.  He lived in Katrineholm, Sweden.   


In 1947, L'Escamoteur, a French-language magic periodical, commented on his performance at the Congrès Magique Internationale (the precursor to FISM) in Barcelona.  Other magic periodicals of that era are replete with reports of his participation in international magic events, often winning prizes for his performances.  


El Cester competed in many magic competitions including the FISM competitions in Paris in 1947 and Barcelona in 1950.  He was a member of The Swedish Magic Circle.


Saturday, December 24, 2022

SIX YEARS OF FLYING CARDS!

  

Analyzing 150,000+ Hits on Propelled Pasteboards' 6th Anniversary

Our own promotional throwout card  
out of print and now a collectible!



This month, Propelled Pasteboards marked its six year anniversary, having racked up more than 150,000 visits in that time.  So, it's time for our version of the "People's Choice Awards," finding out which posts attracted the most interest.  Some magicians who made our "Top Ten" list prove quite predictable, while others might just surprise you.  And you'll never guess who ranked #1.


The four writers who regularly contribute to Propelled Pasteboards - Tom Ewing, Gary Frank, Jay Hunter and me - have offered an astonishingly broad array of posts - 250 listings which encompass some of history's best known magicians to performers so obscure that they nearly defy our investigative research efforts.  And these listing have drawn well over 150,000 hits (some of our early data was lost to a conversion from http:// to https://).  In this post, I'll be examining those posts that have attracted the most hits.


Perhaps most predictably, Gary Frank's feature on Harry Houdini made the top ten list, with well over 1,000 visits.  Shockingly, however, Houdini did not place first!  More on that in a moment.  Other superstars closely connected with card throwing - like Jeff McBride & Juliana Chen - predictably placed on our top ten list.  (Ricky Jay did not make the cut, though several posts dedicated to him made the top 20 list.)  David Kwong, also placed high on the list, perhaps we used the opportunity to highlight his then-popular show, The Enigmatist.  Our salute to women in magic also proved quite popular, with both the "Women in Magic Month" post and articles on Melinda and Ms. Chen taking three of the spots.  Visitors also showed interest in the production of throwout cards, with posts spotlighting Fox Lake Playing Cards also making the cut, while a post about DeLand made the top twenty.  (Relatedly, we have two static pages on throwing cards and throwing card backs that racked up similar numbers, but don't get ranked on the top ten list as they're not "posts.")

Other posts that proved popular are more puzzling, as they feature lesser known magicians.  Jay Hunter's feature on Ben Franklin IV ranked third (with more visitors than Houdini), while Tom Ewing's terrific feature on Colta & Colta came in seventh.   But perhaps the biggest surprise is our top contender.  The number one, most visited Propelled Pasteboards blog post, indeed, the only post with more than 2,000 visits is . . .  [drum roll] . . . Leslie Guest!  This unanticipated placement remains unchanged from our analysis of hits when the site marked 100,000 hits.  Please don't misunderstand, at Propelled Pasteboards we pride ourselves on featuring magicians of all kinds, often celebrating obscure, mysterious and even unsuccessful performers that you won't find anywhere else.  Furthermore, Gary Frank's feature on Mr. Guest is thorough and interesting.   But that Guest would best Houdini, Thurston, Kellar and some of the other historic greats we've featured is something no mentalist could have predicted!  

But for the record, at this writing, this is . . .

Propelled Pasteboard's Most Popular Posts

The Top Ten List with Official Hit Counts

 




When you have time, check out these posts and some of our less popular pieces.  You won't be disappointed.

Monday, August 29, 2022

The Tall Tales of Eddie "Tex" McGuire



When researching magicians, it's always hard to know what to believe, But the subject of this post - Eddie "Tex" McGuire -- is in a league of his own when it comes to tall tales.


Here's what I can assemble from a number of magic publications:
He was born in or around 1891, and by 1910, persuaded his father to use money that had been saved for college to study magic, eventually performing under the names The Great Gilland, Don Cortex and Tex McGuire. His favorite trick consisted of driving a Cadillac, with seven passengers, on stage and making the car and its occupants disappear. By age 19, he began traveling with a show headed by Mrs. Tom Thumb. He served in WWI, wounded and subject to gas attacks. In the 1920s, he returned to Europe. And here's where the legends begin.


According to various sources -- principally McGuire -- he created a "mathematical system" whichpermitted him to "break the bank" at Monte Carlo on three occasions. While that's an exciting thing to say, it's more interesting once one knows what it means. According to Wikipedia:
The expression "breaking the bank" is used when a gambler wins more money than the reserve held at that particular table in the casino. At the start of each day, every table was funded with a cash reserve of 100,000 francs – known as "the bank". If this reserve was insufficient to pay the winnings, play at that table was suspended while extra funds were brought out from the casino's vaults.



The list of bank breakers -- though admittedly incomplete, does not include McGuire's name. Another myth swirling around McGuire was whether he (like so many others) was the author of The Phantom of the Card Table. That McGuire might be Erdnase is further undermined by a second rumor associating him with Walter Scott, an individual who is claimed by some to be that elusive writer.


Fuel was poured on the tall tale fire by the release of a five dollar book about McGuire authored by Edward S. Cannon and produced by Lee Jacobs in 1953. The ad copy consisted of a series of provocative questions about McGuire, including whether he broke the bank, was actually Erdnase, was the subject of superlative quotes by Houdini and Thurston, and was a star of the Roy Rogers Rodeo. The ad copy concludes that "Tex McGuire was all of these and much, much more." So maybe it wasn't the most accurate historical portrait....


One of McGuire's most important contributions to magic occurred, in a sense, posthumously. Beginning in 1922, he entered into a long, detailed correspondence with the famed T. Nelson Downs. The two men wrote a series of letter that were meticulously cataloged over several years, exchanging trick ideas, moves, handlings and stories. In 1971, John Braun compiled these ideas into a special Linking Ring parade which is quite interesting.


I originally picked up this oversized, two-color, single-sided business card because I knew of McGuire as Max Malini's manager (and I have a copy of what seemed to be McGuire's manager card). After researching this subject, though, I no longer know what to believe.














Monday, May 2, 2022

Whitey Roberts – The Man with the Cheshire Cat Smile

           Alston Whitey Peterson was born on November 17, 1902, in Butte, Montana. Whitey’s family moved near San Francisco, California, just before the 1906 Earthquake. After the dust had settled and the city started to rebuild, entertainment became a way for the residents to bring their lives back to normal. Whitey tried out at a few talent contests and got noticed. He learned a little tap dancing and that was enough to get him a small part in a show. He watched and learned and developed his own act that included more than just a few dance steps. He was quickly a top performer. One of the earliest publicized advertisements for Whitey was in 1926, while he was performing at the Bakersfield Nile Theater in a vaudeville troupe as one of the five acts billed.
 

            Whitey was billed as Whitey Roberts – Personality Boy. He sang a few songs, told funny stories, and filled in with a little juggling. At the Defiance Theatre, in Defiance, Ohio, in 1928, Whitey was performing his same act, but added in songs that were popular for the day. He was between two acts, Georgia Peaches and her “Banjo Oddity” and Bud Boomer’s Orchestra. The audience liked to watch Whitey, who was tall, blonde, and always smiling. His personality and performance stowed the audience’s cares away while he was on stage. In 1928, Whitey stepped into the role of master of ceremonies when necessary and in the latter part of the same year, Whitey was billed as the “America’s Foremost Rope-Skipping Dancer” at the Marlow Theatre in Helena, Montana. From Montana to Missouri and then onto Indiana.
            In the 1930’s, Whitey was still on the road traveling from Indiana to Wisconsin, Montana, and even made his way to Washington D.C. with his act. The juggling portion seemed to be what the audience enjoyed the best. In 1933, Whitey was booked again in Bakersfield, California, at the Fox Theatre. The variety act would keep the audience’s attention as they waited for the evening movie, which was Midnight Club starring Clive Brook and rough guy George Raft. Whitey completed his contacts in Bakersfield and appeared at the Orpheum in Salt Lake City, Utah, with NBC Radio singing star, Grace Hicks, the balancing act, The Three Zechos, and the dancing artistry of the Sunshine Beauties. Whitey packed his bags and was on his way to the next engagement, from Chicago, Illinois to Oakland, California, to Albuquerque, New Mexico, and many other locations booked throughout the 1930’s. In 1936, Whitey was publicized as “The Laugh Insurance Man,” with his plate juggling, rope skipping dancing, and singing. In 1939, Whitey was on the playbill with magician Jack Gwynne and four other acts to give the theater audience a well-rounded vaudeville show before the movie 20,000 Men a Year at the Paramount Theater in North Adams, Massachusetts.

Leave it to Whitey to get a 'friend' from the audience to play catch!

             As Whitey eased into the 1940’s, he was back in California. One of his jobs was to help work out the dance steps for Bing Crosby and Bob Hope in the movie The Road to Zanzibar. Although California had its attractions, Whitey still continued to perform in Utah, Idaho, and Indiana to keep his booking attraction alive. In 1942, Whitey was on the playbill with Jack Gwynne and Company at the Paramount in Waterloo, Iowa, as well as Southington, Connecticut. This time, Whitey was a headliner and billed as “Insurance Wonder.” (Whitey said he got the name because the theater managers said he was a guaranteed success whenever he performed his act.) In 1949, Whitey finally made it to Broadway. He was one of the featured acts who headlined with Buddy Ebsen, the Reis Brothers, and a number of other performers. It’s important to know at that time of Vaudeville, other performers who were featured in movies were also performing these one-night stands. Charles Laughton, Nelson Eddy, and others were ‘in between’ performances. At this time of theater’s transition, it was important for actors to be in the public’s eye and be employed. In August of 1950, Whitey was part of the Cumberland Fair in Cumberland, Maryland where he was the Master of Ceremonies. The variety show included The Flying Hartzells, a trapeze act, The Two Adams, a bicycle act, while the feature act of the performance was “The Banana Man.” This act is available online; watch it and be prepared to laugh. The performer was Adolf Proper (November 27, 1886 – December 17, 1950) and he presented an act that never was copied (borrowed from a few times) because it was just too much work. He would appear on stage and begin producing everything from a large magnet, to a clarinet, or a violin. He didn’t stop at just producing musical instruments, though. He would then produce watermelons and then there was that first banana. Then, there was another and another. Each time he produced a banana, he would say in a falsetto voice, “Wow!” The audience was roaring in laughter almost from the beginning of the act to the closing.
            Also in 1950, Whitey was cast in a long-lost movie titled
Chained for Life, in which he performs a short juggling act. As the 1950’s continued, Whitey kept his bags packed, always prepared to travel to his next performance, whether bound for Indiana, Illinois, or Montana. In the 1950’s, Auto Shows were becoming popular, hosted by the leading auto manufacturing companies. Whitey was the perfect person for those types of shows. He was a story telling, and entertainer, and after all of his time on the road, it gave him a chance to stay in a town for up to two or three days.

From a Emcee to a guest performer, Whitey was there.
 
            The bookings kept coming in and Whitey filled the billing as either a variety act or the master of ceremonies (or both, on several occasions). Whitey accepted bookings for fair dates, specialty clubs, private engagements, or corporation gatherings and he even added a bell-ringing portion to round out his act. Any engagement that kept him busy was the perfect for this special performer. As the 1970’s ended, Whitey was booked on a daytime variety show called The Mike Douglas Show. Douglas’s show would feature celebrities and occasionally a specialty act or two. That was the case for the July 1979 show that aired on a Thursday afternoon. The show included singer Lou Rawls, the Saunders Troupe performing teeterboard acrobatic routines and other feats, and Whitey. Douglas had Whitey return a few more times before the year ended. The audience thoroughly enjoyed watching Whitey skip rope and combine his ending with juggling and plate spinning. One of the highlights of Whitey’s life in the 1970’s was his performance on NBC’s new program called The Gong Show. He was on the pilot and he won first place performing a little rope work and a bit of dancing.

What a smile!

            In his lifetime, Whitey was a member of the Masons, The S.A.M., I.B.M., The Masquers Club and The Academy of Magical Arts. He continued to help younger performers in entertainment whenever he had the opportunity. He worked all the showrooms at the Magic Castle in Hollywood, California. He would sit all the way in the back of the showroom and enjoy the show any chance he could. He would go up to the performer after the act and give out words of encouragement and, before the conversation was over, he would ask if the performer wanted to work “next week.” He knew all of the local agents and if Whitey helped someone get a booking, he was in seventh heaven.

Whitey was "one of America's Foremost Entertainers a good friend.

            After all that Whitey accomplished on stage and off, time and age caught up to him. He died on September 21, 1999, in Los Angeles, California. He left behind a record of performances that few performers could even come close to today. The dedication to his love for his art shown through with every performance and with anyone who crossed paths with him. He was so enthralled with life that if someone met him on the street and looked into his eyes, Whitey’s smile, personality, and lust for life would have rubbed off on them.



Monday, January 17, 2022

 Colta & Colta - The Merry Magicians 

Many magicians have claimed to be descendants of great conjurors of the past, and the subject of this post is no exception. However, unlike most of those who capitalized on another’s name, Colta the magician had a long and varied career of his own.

Born Charles Joseph Jones in 1890, like many, his interest in trickery started at adolescence. He joined a church club in 1904, and one of the hobby courses included basic magic. He was hooked, and within a year, young Charlie was putting on shows in his hometown of Harrisburg, Pennsylvania as “Colta the Merry Magician” (a name drived from esteemed conjuror Buatier De Kolta, who was supposedly a distant relative). 

In 1908, he donned Asian makeup and created a new stage act to coincide with screenings of movies such as “Prince Ko-Ko, Oriental Conjuror”. Then, just one year later in 1909, Colta removed the makeup and entered vaudeville, touring on prominent circuits including the Ed Mozart Circuit, Gus Sun Time, Sullivan-Considine, Butterfield, and finally, Keith Family Time. 

In 1911, though ‘hanging up’ his vaudevillian ‘coat,’ he kept his wand and continued performing magic alongside a Philadelphia entertainer named of Christi, and presenting a mechanical doll called “La-Atta.” He returned home to Harrisburg a year later. Back home, he married Minnie “Mimi” Engle and worked as a projectionist, a passion that originated from his 1908 act. 

During World War I, Colta was employed at the Shell Mill of Bethlehem Steel by day, and continued his projection career at night, far too busy to do magic. After the war, he managed Harrisburg’s Colonial Theater for a short while, where he frequently booked other magicians to perform. He then decided to turn back to magic, this time joining vaudeville’s Artists Revels unit. Unlike his first stint on the circuit though, he was not alone. Colta now shared the stage with Mimi as “Colta and Colta the Merry Magicians.” 

                                    Bethlehem Shell Plant 

Together, they featured attractions such as Shooting Through a Woman and Rag Pictures. After traversing several more circuits with new and unique acts such as Mimi playing a “Living Marionette” and a linking ring routine that included rings being hurled 20 feet across the stage, the couple returned home to Harrisburg in 1930 and performed local bookings. 

Colonial Theater, Harrisburg 



I believe this card originates from around that time:


Longer than a typical pasteboard, one side advertises a few of the novel entertainments the Coltas could provide, and the other features Charlie pulling a fake rabbit out of a hat. He really appears to be a Merry Magician! In the 40s, during World War II, Charlie devoted over 500 hours to entertaining servicemen in camps and hospitals. 

Tom Ewing discovered two cards for the Colta's in his collection. They show that Colta's wife Mimi also performed magic and was adept at billiard ball manipulation. Her scaling or business card shows her with those billiard balls. The back of the card identifies her as one of the Magigals - an organization of female magicians who had members nationwide. 


Colta's card shows him with fez and dove and a double fan of cards with birds on them. The back of his card also identifies him as a Shriner from the Zembo Temple in Harrisburg. Both cards appear to be from later in their careers. 


He was also active in magic societies, becoming the first president of The Magicians Alliance of Eastern States (MAES), and was a co-founder and first president of both The Society of American Magicians Assembly 22 and The International Brotherhood of Magicians Ring 20.


Charlie and Mimi appeared in an advertisement for Martin’s Magic Shop, featured in the August 1952 issue of 
Genii Magazine, with Charlie performing Dell O’Dell’s "Apple Tubes" trick. The couple moved to California in 1957, where Charlie was active in The Society of American Magicians assembly 22, and was awarded an honorary life membership from the Pasadena Magicians Guild. In 1971 the Coltas moved back to Harrisburg, where Charlie passed away in 1973 and Mimi in 1978.

Update 

Here are several additional images of the Colta's. One is s a nice image of the their suitcase that they carried parts of their show in for many years. 

The other image shows their marionette act with Mimi worked the Hula Girl figure and Charlie working a clown. Both images are provided thanks to Sal Perrotta. 



With the exception of this last photo above, most of the images of Colta thus far have been from later in his career. Through the kindness of Mike Caveney and his Egyptian Hall Museum, we offer these additional very nice images of him in younger years. 


Colta The "Gay Deceiver" on the Redpath Chautauqua Circuit circa 1908-09 
(Courtesy of Egyptian Hall Museum) 


Colta performing the floating ball in the Christi-Colta act 
on the Mozart Circuit 1910. 
(Courtesy of Egyptian Hall Museum) 


Colta with a Flag Vase Production circa 1920. 
(Courtesy of Egyptian Hall Museum) 


Colta with six precision dancer puppets used in his night club act 1930-31. 
(Courtesy of Egyptian Hall Museum) 


Ben Winn