Showing posts with label Al Flosso. Show all posts
Showing posts with label Al Flosso. Show all posts

Saturday, May 1, 2021

Dell O'Dell: Queen of Magic and Empress of Ephemera




While working on The Coney Island Fakir: The Magical Life of Al Flosso, I came across scads of photos of magicians' conventions and banquets in which Flosso appeared along with dozens of other tuxedo-clad tricksters.  In many of them, though, appeared a tall, spectacularly dressed woman, who invariably 
caught the viewer's eye: Dell O'Dell, born Odella Newton (1897-1962).  I also acquired lots of material - show bills, puzzles, giveaways and even a Dancing Dell Doll (with cutout holes that allowed you to use your fingers as her dancing legs) - featuring this stylish performer.  And I even had the pleasure of interviewing a number of magicians who had seen O’Dell (who once worked as a circus strongwoman and was among the first magicians to have a regular television show) weave her magic spell, regaling her audiences with clever banter, strong nightclub-style magic and rhyming patter.   I had long thought that someone should write a biography about her and was pleased when my friend, magic historian Michael Claxton, did just that.  Don't Fool Yourself: The Magical Life of Dell O'Dell, which consistently receives five-star ratings, is a beautiful hardcover that's becoming increasingly hard to find.  (Michael advises that you can still get copies from Gabe Fajuri, the publisher, at www.squashpublishing.com).

O’Dell should appeal to readers of this blog, as she is of particular interest to magic collectors.  Claxton has a scholarly paper online entitled "Collecting Dell O'Dell," which you can find online here.   In it, he discusses the vast array of ephemera commissioned by "The Queen of Magic":

It would be pretty cheeky to rank Dell O’Dell alongside John Henry Anderson, Houdini, Thurston, Blackstone, and Sorcar—that is, unless we’re listing the great masters of publicity among magicians. I’ve always known that the Queen of Magic could sell herself with style, but while writing her biography, Don’t Fool Yourself, I came to appreciate just how savvy Dell was at promotion, and just how well that talent paid off. She worked virtually non-stop for nearly three decades, even during the 1950s, when opportunities for magicians tapered off. In one week alone she once did 47 shows. Dell’s success rested on a potent combination: her ability to deliver lively entertainment to just about any conceivable audience, her love of socializing with patrons to build rapport, and her tireless marketing machine. She was a driven, determined woman who thrived on applause, and her career in magic was nothing short of a whirlwind.

Fortunately for collectors, that whirlwind left behind quite a bit of tangible debris. Knowing full well that her quirky giveaways would be saved and remembered long after the show was over, Dell handed out pitch-books, loop pencils, paper dolls, puzzles, and other novelties by the tens of thousands. Her circle of creative magician friends included printers, writers, and artists, who all kept the advertising ideas coming. Together, their output was impressive. Even after twenty years of seeking mementoes of Dell’s career, I still come across swag I’ve never seen before. For instance, I didn’t know there was such a thing as “Dell O’Dell’s Solitare Peg Game” in the 1950s until I discovered one last year. And at the last LA Magic History Conference, my publisher gave me a small matchbox that rattles when shaken. Its label reads, “Presented with the compliments of Dell O’Dell, World’s Leading Lady Magician.” But the sliding box has a hole in the bottom, so when an unsuspecting person slides it open, dried beans spill everywhere. There may still be some beans in the carpet at the Beverly Garland Hotel, where I fell for this gag myself.

Martin Gardner, famed for his monumental contributions to both magic and recreational mathematics, made similar observations, noting that "Dell O'Dell found . . . small, inexpensive items of a trick nature which can be given away as souvenirs . .  .  a novel and profitable form of advertising."  


 



I’ve yet to find a throwing card featuring O’Dell, nor has Mr. Claxton seen one, but would not be surprised if one exists somewhere out there among the vast quantum of material she employed. But what I’ve featured here is a piece that is quite nifty, a membership card for “Dell O’Dell’s Friends of Magic Club,” which was, at one time, the largest fan club for any magician in the world. It sports a lovely image of the performer clutching a pair of rabbits on the reverse, while the face contains the membership data. Based on Claxton’s work, it seems that the signature is likely hers, making the piece an autographed keepsake. A notable memento of a notable career in magic.


 Lastly, when I asked him to help with this post, Michael was kind enough to share this unusual piece.  It's a rare card featuring O'Dell, one of several variants that were affixed to tiny bottles of Coca-Cola, given away during a meet and greet sponsored by the soft drink giant.   Dell O'Dell had quite the knack for promotion!



Tuesday, June 27, 2017

Chet Karkut




Chester L. Karkut born August 29, 1915 in Shelton, Connecticut, Chet started his interest in magic late in life in his early thirties. He actually got his foot in the door as an advertising model for many of the large manufacturers. When he did start his magic interests, Chet’s act was billed as “Magic in the Modern Manner.” His act was always the highlight at club gatherings and conventions. 

The design on the back of the card is New York Consolidated Card.

Wednesday, April 26, 2017

Magical Copycats on World Intellectual Property Day

Today is World Intellectual Property Day, an annual commemoration instituted by the World Intellectual Property Organization, known as "WIPO," (a branch of the UN which coincidentally employs my best friend).  According to WIPO:

"Every April 26, we celebrate World Intellectual Property Day to learn about the role that intellectual property rights (patents, trademarks, industrial designs, copyright) play in encouraging innovation and creativity."

Perhaps unsurprisingly, among magicians, intellectual property rights have often been disrespected, much to the chagrin of magical inventors, innovators and manufacturers.  I will not explore that serious problem here.  In commemoration of this day, however, I thought I would highlight a few of the throwing cards which, though they may not technically violate intellectual property rights, certainly constitute bold imitations of the work of others.


Monday, March 6, 2017

"Tricky" Ricky Jay

An early throwout card for the wizard
better known as Ricky Jay



Inspired by my recent post about Ricky Jay et al., Tom Ewing took a deep dive into his collection, emerging with this gem from early in the magician's career.   The "Tricky Ricky" scaling card sports the name "Richard Jay Potash", the legal and original name of the master of card scaling who would eventually become world famous under his stage name Ricky Jay.  Based on my knowledge of his career, buttressed by some recent research I conducted on the use of letters and area codes for telephone numbers (more on that in an upcoming series of posts), I would posit that the card dates to the late 1960s.  The image appears to bear some edge tearing -- whether this is simply from age and handling, or evidence of propulsion by the world record-holding Mr. Jay may have to be left to our imagination.   This piece is likely extremely rare and valuable, as similar ephemera (such as early business cards for the performer known as David Copperfield) often attract the interest of collectors.