From the Gary Brown Collection |
Mary Ruth Milam was born on October 7, 1920 in Hartford, Arkansas and from an early age she had the gift of song. Her parents, Walter and Margarette hired a coach throughout her early school years that paid off when she won the Arkansas statewide vocal competition. When Mary was just entering high school, her family moved to Chicago, Illinois just a few years before the Great Depression in 1929. Finding jobs was tight and the whole Milam family pitched in to put money home. Mary and her brother Bob, and sister Patti did what they could to help out by selling wooden produce crates. In 1935, Mary and Bob put together a song and dance act and tried out at one of the local talent shows in town. They won the top prize and that opened the door more bookings at the local theaters and small time vaudeville shows. Mary and her brother were booked for a three-month tour with Sid Page’s “Stars of Tomorrow” revue. Included in the troupe was a young magician billed as “Tung Pin Soo”. His offstage name was Al Wheatley (1901 – 1964).
Mary and Bob completed their tour and Bob went back home. Mary continued to sing with popular group singers of the day and then had a big break when the trio she was working with performed on NBC network’s featured radio program. Mary’s singing career continued to flourish in the 1940’s and then she decided it was time to hone her talents as a single act. About the same time Mary’s family moved to Hollywood, California. Not long after, Mary’s brother Bob enlisted in the Army. Mary was still finding venues to sing and when she wasn’t performing, she would participate at the U.S.O.’s Hollywood Canteen. More opportunities continued for Mary as she found herself singing with Benny Goodman’s band in 1943. After leaving the Goodman booking, Mary eventually went back to working with the U.S.O. full time. If you were in almost anyone of Mary’s audiences at the time, you would have seen her ‘multitasking’. One performance she was a singer, dancer, or an emcee and then another show would have being a straight man for a comedy team. While Mary was in New York with the U.S.O. tour, she auditioned and was hired to perform with Broadway’s comedy team’s John Olsen and Harold Johnson’s musical revue “Sons o’ Fun”. The show had a good run on “The Great White Way”, but war effort needed them to support the troops in Europe. An added part to Mary’s employment was that she was going to Europe to sing and be bestowed the uniform and rank of captain in the Woman’s Army Corps (WAC). The show’s cast left New York and toured France, Belgium, and safe areas of Germany. The tour ended in Southern France where the military troops were being transported to be cared for and to be shipped out back to America. The show continued to perform for the troops, but this time they were working in one of the remaining viable theaters instead of under gunfire and one night stands.
As luck would have it, Mary was offered to go back to New York to work in a new Broadway musical. Just a few months before, Mary’s interest in her career took a detour in Milan, Italy with a young man who was working in Special Services as a magician and producer of the shows. His name was Louis William Chaudet II or “Bill”. As odds would have, both Mary and Bill were almost neighbors from Hollywood, California. Mary and Bill returned home to California. Mary was a featured performer on the "Hedda Hopper Show Case" in Hollywood over CBS. And when the time was right, Mary and Bill were married on June 29, 1946. Bill’s best man was none other than magician Harry Blackstone. Bill was Blackstone’s protégé and they were good friends. Before the year was up Bill and Mary became a part of Blackstone’s traveling show.
As one of the Blackstone Show’s assistants, Mary was taught a number of illusions and tricks that involved working with everything from canaries to swords. During a hiatus of Blackstone’s full evening show, Bill and Mary took out their own two-person show.
Being able to work for someone who dedicated his life for the love of magic was the greatest privilege.
The Chaudets continued to perform at magic conventions, Las Vegas, Honolulu, Hawaii, and finished off their touring by continuing to perform at upscale nightclubs and dinner clubs. The act wasn’t limited to small venues. They did perform at fairs and some trade shows too. Mary performed small magic effects like the Linking Rings, silk effects, along with being Bill’s assistant. In 1964, while performing at the S.A.M. National Convention in New York, The Chaudets closed the show with a version of the broom levitation that brought the audience to their feet. Bill enhanced the original idea of two brooms and made them microphones. As Mary was singing the Wright and Forrest song, “Stranger in Paradise”, Bill lifted Mary to the effect’s apex as she sang the words, “…I hang suspended…”
Bill and Mary also appeared on the Art Linkletter show and Lawrence Welk television shows. In 1965, co-wrote a song entitled, “Big Nobody” that was sung by Pearl Bailey. The song was included in Ms. Bailey’s record album, “For Women Only”. In August of 1967, Bill and Mary divorced. Mary concentrated on her singing career and continued with her interest in magic. She was bestowed a lifetime membership in the magic club in Honolulu, a member of the famed Magic Castle in Hollywood, California, and Mary was a past president of the Hollywood Assembly of the Magigals. Along with pianist friend, Joyce Wellington Bramberg (1924 - 2014), Mary composed, published, and wrote songs for commercials and professional acts. In 1975, Leon Leon, the son of The Great Leon presented an illusion at the P.C.A.M. convention in Santa Rosa, California that stopped the show. The show was set outdoors. Leon had two members from the audience assist him. Mary was one of the two who volunteered. Leon told the audience he was going hypnotize them at one time. The two onstage volunteers were there to act as witness to Leon’s claim. Leon instructed Mary to lie down on a secured long board on the stage and hold onto it. Leon stepped off the stage and walked where the audience seated. He told the audience that since they were hypnotized, they would think they see Mary levitating. With a wave of Leon’s hands, the magic began. Instead of Mary floating, the entire stage began to rise. After it rose to a few feet in the air, it finally slowly dropped back to the ground. The audience loved the entertainment, Mary and her fellow volunteer had a good time, and the fellow behind the scenes with “secret method” went on to make other deliveries.
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